Publisher: Data East Year: 1987 Genre: Shmup Side-Scroll In BreakThru, you are the driver of a jumpy car (a fairly common video game theme even today) who must drive into enemy territory, assault their base and recover a top secret jet of some sort (top-secret jets are also a fairly common theme).
I know I complain about title screens a lot, but when this is my introduction to a game, it’s really hard to get my hopes up.
Along the way, you’ll battle enemies that shoot constantly into the area you have to occupy to even have a chance to shoot them, parachutes that prevent their precious cargo from ever reaching all the way to the ground, and chunky controls that will kill you more effectively than any of the enemies can hope to.
Jumpy car, meet… some kind of tank with an antenna and also I think it’s got wheels?
John’s Rating: 2.0 out of 5.0. There’s not too much mechanically wrong with this game, it’s just hard to pinpoint anything this game did right. The graphics are lackluster, the gameplay is bland and unsatisfying, the enemies are dull yet difficult, and although the sound is not overly annoying the best that can be said of it is that it is forgettable.
The Final Season of Little House on the Prairie was INTENSE.
Publisher: Nintendo Year: 1986 Genre: Platformer / Zapper
Nowadays, when games experiment with control schemes, it falls into one of three categories: a gimmick, a disaster, or a generally enjoyable novelty. And, if someone does come upon a winner, everyone and their brother wants in on the action. Back in the Nintendo days, however, employing a novel control scheme was a risk that companies – even large companies like Nintendo, were more than willing to take. Frankly, it was one of the most obvious ways to make your game stand out in the crowd – you might not be able, for instance, to make a character as memorable as Mario or even the Battletoads, but you might be able to come up with a unique gameplay element, such as the novel flight control scheme of Joust, and end up being a commercial success despite the absolute absence of any memorable characters whatsoever. Which is why I won’t be too hard on Gumshoe, a game that at least tried to be original.
They just don’t make title screens like this anymore. That’s a good thing.
In Gumshoe, you control a detective who is looking for the “Black Panther” diamonds, apparently to ransom his kidnapped daughter from some sort of Italian mobster. I’m too lethargic to come up with a racially insensitive joke, so you can just use your imaginations. The diamonds just seem to be lying in street when you come upon them, but that doesn’t seem so important right now. What’s important is that the game is controlled entirely by the Zapper gun, either by shooting obstacles that appear on screen, or by shooting the main character in order to make him jump. There are no other controls. As you progress through the game, you pick up balloons to replenish your ammo, but unless you spam bullets throughout the whole thing, you’ll never get anywhere near running out.
Those balloons, which you cannot shoot, contain bullets. That car and bottle, which you can shoot, contain death.
John’s Rating: 2.5 out of 5.0. Don’t get me wrong, games with simpler control schemes have been popular even as recently as a few years ago, but, the execution, in this case, is wanting, not to mention the fact that the game digs well into Nintendo Hard territory, with little poison skulls often pressed so close together that there’s no reasonable way to get between them. You might try this game for the novelty or just to have it in your collection, but I wouldn’t go out of my way to get my hands on it.
The 80’s were an exciting time in the world of space exploration. America (and all those other countries that don’t matter) spent absurd amounts of money on space programs. Why? Because space was the next frontier of warfare, of course! Basically, every superpower (all two of them) and all those other countries that don’t matter wanted to put more blinky metal things up in the sky faster than anyone else so that they could perfect the art of putting blinky metal things in the sky. If any of their little blinky things had been the glorious Warp Rattler from Gradius, the Cold War would have been cut mercifully short.
Publisher: Nintendo Year: 1985 Genre: Brawler – Side-Scroll
There was something of a martial arts craze in the 80’s brought on by the likes of the Karate Kid, The Last Dragon and Gymkata. Ok, maybe not so much Gymkata. Point being that it is generally agreed that in the 80’s, everybody was Kung Fu Fighting.
Year: 1985 Publisher: Nintendo Genre: Racing – Side-view
If you were anything like me as a kid, you wanted a dirtbike. You probably weren’t anything like me as a kid, but you probably still wanted a dirtbike because, let’s face it, dirtbikes are cool, and every kid wanted one. Anyone who tells you otherwise is probably the kind of person who thinks that fishing is a sport. Of course, my parents didn’t have the money to just up and buy me a dirtbike, and given my incredible penchant for falling off my regular bike and injuring myself, I think it’s fair to say that they have other motives for failing to get me one. Thus, video games were the closest I would ever get to living that particular dream.
They weren’t much for title screens in 1985
I remember liking this game a lot as a child, but that I didn’t remember playing it much, which is strange, since there’s a fairly extensive list of great and not-so-great games I remember playing for hours on end (yes, I have vivid childhood memories of playing video games).Now, as an adult, I can understand how that came to be.
It gets old. Fast.
No, really, it’s a very good game – to say otherwise is to be a fool or a liar! The controls are tight and logical, the graphics are sufficient, the sounds are generally not obnoxious and the whole thing is intuitive enough to jump into without reading a manual (which is an important feature in a post-game-manual era, as well as back when rentals were common and commonly devoid of important parts).
Not pictured: road rash.
The crushing shortcomings, however, lie in features you’ll find yourself wishing it had. You’ll wish it had two-player simultaneous play, you’ll wish it allowed you to save more than one custom track. You’ll wish that there were more terrain features to put on your custom tracks.
John’s Rating: I give this game a 3.0 out of 5.0. Better replay value or a two-player mode would have easily put this up to a 4.0, but I really can’t justify it in light of the fact that I can explore everything the game has to offer in a single afternoon. All in all, it’s an enjoyable and nostalgia-inducing romp that I see no reason to repeat.
